Tutors · Abigail Dance CoachinG

Tutors with first-hand experience

Our faculty bring professional careers in classical ballet, contemporary dance, Pilates and physiotherapy into the studio at Papa Hou, alongside visiting principals from the Royal New Zealand Ballet.

Abigail Dance Coaching

Our tutors have danced with

Royal New Zealand Ballet · The Australian Ballet · Joffrey Ballet · English National Ballet · Metropolitan Opera Ballet · West Australian Ballet

Our faculty

Who teaches what

Every ADC student works with a team of specialists, not a single teacher. Technique, contemporary, conditioning and mindset are each led by someone who has made that their profession. Students in all three programmes also learn from our guest tutors.

Classical

Ballet

ContemporarY

Movement

Body and Mind

Healthy dancers

Abigail Boyle, Director of Abigail Dance Coaching

Director · Classical

Abigail Boyle

Director and classical tutor · Former Principal, Royal New Zealand Ballet

Born and trained in New Zealand, Abigail Boyle joined the Royal New Zealand Ballet (RNZB) in 2006, quickly becoming the darling of the New Zealand ballet scene. Abigail is recognised as “possibly one of New Zealand’s finest stage artists of recent years” acclaimed for her authentic, honest, fluid and expressive style.

Abigail’s principal roles include Carmen in Didy Veldman’s Carmen, Odette/Odile in Russell Kerr’s Swan Lake, Aurora in Greg Horsman’s The Sleeping Beauty, Myrtha in Ethan Stiefel and Johan Kobborg’s Giselle and Ada in Jiří Bubeníček’s The Piano: The Ballet.

Her final ballet, Artemis Rising, was written as a celebration of her career. Critics acclaimed her “power, sensitivity and effortless grace”, concluding that “Boyle is emerging from a remarkable thirteen-year career with the Royal New Zealand Ballet, a woman and an artist in ascension”.

Following retirement in early 2019, Abigail completed the Professional Dancers’ Postgraduate Teaching Certificate with the Royal Academy of Dance and worked with established ballet schools and individual students. She has worked with New Zealand School of Dance, New Zealand Youth Ballet Company, Kairos Dance, Dance Masters International, and is a guest teacher for RNZB.

Danced with

Royal New Zealand Ballet, 2006-2019

Qualified

RAD Professional Dancers’ Postgraduate Teaching Certificate

Classical · Mindset

Emma-Rose Barrowclough

Classical coach and mindset coach

Emma-Rose Barrowclough is a New Zealand-born professional ballerina with 9 years of experience dancing with companies throughout Australasia and Europe, including Ballet Collective Aotearoa, the West Australian Ballet, The International Ballet Company, and Łódź Grand Theatre.

Her early years were spent dancing in Christchurch at AGA and Anna Lee School of Dance. In 2014 Emma competed in PACANZ placing as one of the top six finalists. She completed her pre-professional training with the New Zealand School of Dance where she graduated in 2017 with a diploma in dance performance. During her time at NZSD she competed in Sir John Logan Campbell Awards (now Auckland Caledonian Competition Society) placing third, and the Gene International Ballet competition. She was also selected for a scholarship to train with Canada’s National Ballet School for a month on exchange.

Some of her professional ballet career highlights include performing soloist roles in Giselle, Coppelia, Sleeping Beauty, Pärt/s and Bolero. Creating the lead female role in Górska Odyseja, dancing in Krystof Pastor’s Swan Lake, Sasha Waltz’s Romeo and Juliet, and Carmina Burana by Tamas Juronics, as well as choreographing original works for WAB’s Genesis season. Recently performing back in New Zealand gave her a chance to give back to the audience that supported the beginnings of her career.

Emma-Rose has taught students of all ages and levels and is passionate about nurturing both technical skill and artistic expression. Now based back home in New Zealand, she is completing degrees in Psychology and Sport & Exercise Nutrition with The University of Canterbury, and is a qualified yoga teacher. She is dedicated to building resilience and holistic development in young dancers and athletes.

Danced with

Ballet Collective Aotearoa, West Australian Ballet, The International Ballet Company, Łódź Grand Theatre

Trained

New Zealand School of Dance; exchange scholarship, Canada’s National Ballet School

Emma-Rose Barrowclough
Ballet tutor demonstrating port de bras to a young male student in a Papa Hou studio
Glen Harris

Classical · Pas de deux

Glen Harris

Classical tutor and pas de deux coach

Glen joined the Australian Ballet in 1981 and was a featured soloist in many roles dancing throughout Australia. His career then took him to Europe where he was invited to join the Opernhaus Ballet in Zurich. After two years in Switzerland he went to the U.S.A, where he joined the world renowned Joffrey Ballet based in New York, dancing with them for six years.

In 1994 Glen appeared on Broadway in the Lincoln Center Production of Carousel dancing the lead role of the Fairground Boy. He then joined the Metropolitan Opera Ballet in New York and enjoyed nine years performing in a vast repertoire followed by two years teaching and choreographing for the Miami City Ballet School.

On returning to New Zealand he was appointed the position of Senior Teacher/Choreographer for the Southern Ballet Theatre and taught ballet to the Musical Theatre students at NASDA. He has created numerous ballets for the Senior and Intermediate Ballet Companies. In 2012 Glen was guest Ballet Master for the Royal NZ Ballet’s season of Giselle.

For Showbiz Christchurch Glen has worked on the following productions: The Full Monty (Choreographer), Chicago (Associate Choreographer), Phantom of the Opera (Choreographer), Wicked (Choreographer), My Fair Lady (Choreographer), Kinky Boots (Choreographer) and Charlie and the Chocolate Factory (Choreographer).

For Invercargill Musical Theatre he has choreographed The Phantom of the Opera, Mamma Mia, Matilda the Musical and Priscilla Queen of the Desert.

Danced with

The Australian Ballet, Opernhaus Ballet Zurich, Joffrey Ballet, Metropolitan Opera Ballet

Broadway

Carousel, Lincoln Center, 1994

Classical · Rad

Dr Maureen Coulter

Classical tutor and Royal Academy of Dance tutor · PhD, MA, PGDT, LTCC, ARAD, RTS

Maureen Coulter is a qualified and registered Royal Academy of Dance teacher with many years experience training students for both the RAD grade and vocational exams. She operated her own dance school in Christchurch for 15 years, later working as a free-lance ballet teacher while pursuing university studies and gaining a degree in secondary teaching.

In 2004 Maureen was awarded her PhD which examined the role of the dancer as an aesthetic icon of Symbolist French and Irish literature.

In 2005 Maureen moved to Hong Kong to teach English Literature at YMCA Christian College, where she also introduced drama classes and developed a Performing Arts programme, including Dance. She directed, choreographed and designed annual school musical theatre productions and qualified as a Cambridge Drama examiner. She also gained the London Academy of Music and Dramatic Arts Teaching Certificate in Communication.

During her time in Hong Kong, Maureen maintained her ballet training and taught Dance History and Dance Aesthetics at the Hong Kong Academy for Performing Arts. She also trained as a flamenco dancer, performing regularly with the Clara Ramona Flamenca dance company.

On her return to Christchurch in 2017, Maureen resumed ballet teaching, successfully training students for Royal Academy of Dance vocational exams. She also established the Flamenco dance academy, Flamenco del Sur. In 2022 and 2023 Maureen was engaged by the Royal Academy of Dance as a Mentor for trainee ballet teachers.

Qualified

Registered Royal Academy of Dance teacher

Also

Founder, Flamenco del Sur

Dr Maureen Coulter

from our parents

Kate Hines

Contemporary

Kate Hines

Contemporary tutor

Kate began her dance training in Christchurch at the age of five, studying ballet, jazz and contemporary dance before attending the New Zealand School of Dance, where she majored in contemporary dance. She went on to perform and choreograph with New Zealand contemporary dancers and musicians, touring and performing across the country.

Kate has worked as a freelance contemporary dance teacher, choreographer and performer in New Zealand and the UK, teaching dancers of all ages and abilities in Christchurch, Wellington, Edinburgh and London.

Now a physiotherapist, with a special interest in pelvic health and dance, Kate brings her knowledge of the human body, movement and conditioning into her teaching. She is passionate about developing strong contemporary dance technique, while helping dancers understand their own bodies, move with confidence and explore their creativity in the studio.

Trained

New Zealand School of Dance, contemporary major

Also

Physiotherapist with a special interest in dance

Contemporary · Strength

Annabel Lowe

Contemporary tutor and strength coach

Annabel is a graduate of AGA who then went on to train as a contemporary major at the New Zealand School of Dance. She holds a NZ Advanced Diploma in Dance Performance, has performed in World of WearableArt, with the Royal New Zealand Ballet and represented New Zealand School of Dance at the Prix de Lausanne Partner School’s Choreographic Project in Lausanne Switzerland. Annabel is also interested in health and fitness that can support dance and is excited to share her knowledge and passion with the next generation of dancers.

Performed with

Royal New Zealand Ballet, World of WearableArt

Trained

AGA; New Zealand School of Dance, contemporary major

Annabel Lowe
Louisa Potter

Body and Mind

Louisa Potter

Dance Pilates coach

Originally from the Kāpiti Coast Louisa found her love of movement and teaching through dance. After studying at the New Zealand School of Dance Louisa discovered Pilates and moved to London where she trained with one of the UK’s leading Pilates experts, Alan Herdman, and worked in his studio for the following 10 years.

In addition to working with the general population Louisa has worked extensively with young dancers including at Millennium Dance 2000, a vocational stage school, for 8 years and at Central School of Ballet’s senior school for 15 years, leaving at the end of 2022 to move back to Aotearoa where she has opened her own studio and is continuing to work with young dancers.

Trained

New Zealand School of Dance; Pilates with Alan Herdman, London

Worked with

Central School of Ballet, Millennium Dance 2000

Guest Tutors

Medhi Angot, guest ballet coach at Abigail Dance Coaching

Medhi Angot

Ballet coach and consultant

Born in France and trained at the Paris Opera Ballet School, Medhi’s ballet career began when he joined the English National Ballet in London at 17. He danced as a soloist in renowned productions and later moved to the Royal New Zealand Ballet, taking on principal roles over five years.

Returning to France in 2013, he became a Principal dancer with the Nice Opera Ballet, mastering classical and contemporary works. In 2021, he became a permanent Classical tutor at the New Zealand School of Dance.

Since April 2023, Medhi has excelled as a freelance ballet coach and consultant. He prepares students for prestigious competitions like the Prix de Lausanne and the Youth America Grand Prix, and shares his expertise as a guest teacher with the Royal New Zealand Ballet and ballet schools across New Zealand and Australia.

Mayu Tanigaito, Principal with the Royal New Zealand Ballet and guest tutor at Abigail Dance Coaching

Mayu Tanigaito

Principal, Royal New Zealand Ballet

Mayu has danced with the Royal New Zealand Ballet (RNZB) since 2012 and was named principal dancer 2018. She has danced many of the lead roles in the RNZB repertoire including Odette/Odile in Swan Lake, Giselle in Giselle, Kitri in Don Quixote, Swanhilda in Coppelia, Juliet in Romeo and Juliet, and Sugarplum Fairy in The Nutcracker. She has also performed many roles by master choreographers including William Forsythe, George Balanchine, Jiri Kilian, and Roland Petit among others.

Ana Gallardo, Principal with the Royal New Zealand Ballet and guest tutor at Abigail Dance Coaching

Ana Gallardo

Principal, Royal New Zealand Ballet

Ana Gallardo Lobaina joined the Royal New Zealand Ballet in January 2020 and was promoted to Soloist in December 2020 and Principal in May 2024, after making her debut as Odette/Odile in Swan Lake.

Ana’s other highlights at the RNZB include creating the role of Lady Macbeth in Alice Topp’s Macbeth, the title role in The Firebird (2021 and 2025), Titania in Liam Scarlett’s A Midsummer Night’s Dream (2021 and 2024), and Juliet in Romeo & Juliet (2023), and being part of the creation of To Hold (2024) The Autumn Ball (2022) and Ultra Folly (2021) by RNZB Choreographer in Residence Sarah Foster-Sproull. Since making her debut as both the Lilac Fairy and Carabosse in The Sleeping Beauty (2020) she has performed featured roles in Alice Topp’s Aurum (2021 and 2022), Logos (2023) and High Tide (2024) as well as Wayne McGregor’s Infra (2024), ‘Dark Angel’ in Balanchine’s Serenade (2023), Twyla Tharp’s Waterbaby Bagatelles™ (2021 and 2022) and Christopher Wheeldon’s After the Rain pas de deux (2022 and 2023).

Other recent roles include the Sugar Plum Fairy in Ty King-Wall’s The Nutcracker (2025), Cinderella and Stepmother in Loughlan Prior’s Cinderella (2022) Juliet and Lady Capulet in Romeo and Juliet (2023) and Requiem for a Rose by Annabelle Lopez Ochoa (2023).

Born in Holguín, Cuba, Ana attended a regional ballet school, studying full-time at the Cuban National Ballet School in Havana from the age of 14 and later at the Miami City Ballet School and at the Boston Ballet School. In 2012 she joined Cincinnati Ballet as a Second Company member and in 2013 she was promoted to full company member. Her featured roles in Cincinnati included Olympe in The Lady of the Camellias by Val Caniparoli and Minus 16 by Ohad Naharin. In 2017 Ana joined West Australian Ballet, where her featured roles included one of the solo Shades in La Bayadère by Greg Horsman.

Breyah Takitimu, dancer with the Royal New Zealand Ballet and guest tutor at Abigail Dance Coaching

Breyah Takitimu

Dancer, Royal New Zealand Ballet

Breyah Takitimu is currently a dancer with the Royal New Zealand Ballet, having first joined the company as a guest artist for its 2025 production of The Nutcracker.

Originally from Invercargill, Breyah moved to Christchurch to pursue full-time ballet training before joining Joffrey Ballet as a trainee in Chicago. During her time at Joffrey, she choreographed for Young Moves in both years of the programme.

Breyah has continued to develop her passion for choreography alongside her dance career, most recently creating work for the Royal New Zealand Ballet’s Voyages season.

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3 ballet dancers in black tutus with dance teacher Abigail Boyle